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"Japan is different in a different way" That, in any case, is what the hero in Cees Nooteboom's novel "Mokusei" claims in an effort to describe how difficult it is for a Western mind to understand the complexities of Japanese culture with all its various influences. Yet at the same time, Tokyo seems to be well on its way towards becoming the main hub of the new art of the 21st century. When Francesco Bonami, curator of this year’s Venice Biennale, promoted the Japanese artist Takashi Murakami as a key figure of today’s art scene, he was also offering an indication that the view to the East can be interpreted as a deeper-reaching change in perspective. More passionately than anywhere else, artists in Japan are investigating contemporary art’s possibilities for determining an individual position in the age of the global information society. This is also reflected in the Deutsche Bank Collection in Tokyo, which the main focus of our current edition is dedicated to. +++ Andre Kunz has taken a tour through Deutsche Bank in Sanno Park Tower, where German and Japanese post-war and contemporary artists are engaged in dialogue. +++ Margrit Brehm provides a sketch on the development of contemporary Japanese art from calligraphy to Tokyo Pop. +++ Ulf Erdmann Ziegler has written a portrait of Naoya Hatakeyama, who investigates civilization’s depths in his photographs. +++ Arno Widmann describes the strategies of the artist Miwa Yanagi as a classical Japanese form of martial arts. +++ Toshihiro Umezaki from Deutsche Bank Tokyo explains why "Art at Work" is a completely new concept in Japan. |